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- CINEMA, Page 90Bakelite in Heat
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- BLACK RAIN
- Directed by Ridley Scott
- Screenplay by Craig Bolotin and Warren Lewis
-
- This fall the moviegoer has a choice of two Black Rains set
- in Japan, but they're not hard to tell apart. One is Shohei
- Imamura's stark meditation on Hiroshima 1945. The other is a cop
- movie backed by some heavy Hollywood artillery: the producers
- of Fatal Attraction. Michael Douglas and Andy Garcia are two New
- York City detectives on the trail of a cool, vicious Japanese
- gangster (Yusaku Matsuda). Their contact in the Osaka
- constabulary is a by-the-book gent (Ken Takakura) affronted by
- Douglas' bullying. You've seen this picture before; last year
- it was called Red Heat. "Theft is theft -- there is no gray
- area," Takakura observes, and Douglas ripostes, "New York is one
- big gray area."
-
- There are no gray areas in Ridley Scott movies; the
- director of Blade Runner tosses color and atmosphere into every
- shot. The man has never photographed a dry sidewalk in his life;
- the tiles have got to glisten like Bakelite in heat. Neon glyphs
- snake around each lurid shop sign. An ominous bike boy threads
- his Suzuki around columns in a Japanese mall-cathedral.
-
- Is this the pinnacle of Scott's luscious style or a parody
- of it? Maybe it's the spectacle of a director running for
- cover. Scott's last hit was Alien, a decade ago; these days his
- brother Tony directs the blockbusters (Top Gun, Beverly Hills
- Cop II). So Black Rain catches a gifted imagist between
- inspirations, biding his time without quite wasting ours.
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